-
February 2020
-
January 2020
-
Jan 27, 2020
From the Netherworld to the island to the underground: my 2020 theater plans
Jan 27, 2020
-
Jan 20, 2020
Perfect, Passive Audience Behavior (and Who it Excludes)
Jan 20, 2020
-
Jan 15, 2020
The Waitress in Scotland, PA
Jan 15, 2020
-
Jan 6, 2020
Moby-Dick: Intentionally Messy, Exceedingly Ambitious - and Perfectly Imperfect Art
Jan 6, 2020
-
December 2019
-
Dec 30, 2019
Disability Theatre for the Modern Age: Eve Leigh and Rachel Bagshaw’s Midnight Movie
Dec 30, 2019
-
Dec 23, 2019
A BROADWAY HOLIDAY WISH LIST
Dec 23, 2019
-
Dec 18, 2019
A Theatrical Playlist To Get You Through Finals
Dec 18, 2019
-
Dec 9, 2019
There’s No Place Like Home
Dec 9, 2019
-
Dec 2, 2019
The Follies and Failings of Love, On and Off Broadway
Dec 2, 2019
-
November 2019
-
October 2019
-
September 2019
-
Sep 23, 2019
Welcome (Back) To The Rock, You Are Here, Pay It Forward!
Sep 23, 2019
-
Sep 16, 2019
Going the Distance For Public Works’ Hercules
Sep 16, 2019
-
Sep 9, 2019
Plot, Character, and the Genealogy of Dramatic Form
Sep 9, 2019
-
Sep 2, 2019
MUSICALS WITH CHEESE - INTO THE WOODS (PODCAST REVIEW)
Sep 2, 2019
-
August 2019
-
July 2019
-
Jul 29, 2019
Everything Changes: Reflections on the Life and Death of Broadway Shows
Jul 29, 2019
-
Jul 22, 2019
Caissie Levy Concert Review
Jul 22, 2019
-
Jul 15, 2019
The Kilroys Are Here
Jul 15, 2019
-
Jul 8, 2019
Journey To The Past, And To The Future
Jul 8, 2019
-
Jul 1, 2019
Putting It Together: How My First Staged Play Got On Its Feet
Jul 1, 2019
-
June 2019
-
May 2019
-
May 27, 2019
to read or not to read: how important is shakespeare?
May 27, 2019
-
May 20, 2019
IN THE BEGINING THERE WAS STAGE CREW
May 20, 2019
-
May 13, 2019
Blood, Guts, and Art for Art’s Sake
May 13, 2019
-
May 6, 2019
Where are Broadway's Female Creative Teams?
May 6, 2019
-
April 2019
-
Apr 29, 2019
A New World: Producing a Musical for Deaf and Hearing Audiences Alike
Apr 29, 2019
-
Apr 22, 2019
Love Came From The Darkness
Apr 22, 2019
-
Apr 15, 2019
An Epic Journey to the Underworld, Made New
Apr 15, 2019
-
Apr 8, 2019
HOW BEN PLATT CHANGES WITH HIS ORGINAL MUSIC
Apr 8, 2019
-
Apr 1, 2019
same show, new set: an explanation and an update
Apr 1, 2019
-
Apr 1, 2019
A Final Farewell
Apr 1, 2019
-
Apr 1, 2019
On Creative Differences: A Farewell to the Theatrical Board
Apr 1, 2019
-
February 2019
-
Feb 15, 2019
Home. Love. Family. Anastasia.
Feb 15, 2019
-
Feb 14, 2019
What Do You Know About Love
Feb 14, 2019
-
Feb 12, 2019
To Be An Audience Member
Feb 12, 2019
-
Feb 9, 2019
Cari’s Top Five Phavorite Phantoms
Feb 9, 2019
-
Feb 8, 2019
Theatre Through The Years
Feb 8, 2019
-
Feb 7, 2019
Les Miserables and Me
Feb 7, 2019
-
Feb 5, 2019
Screen to Stage: Evaluating the Adaptability of the Oscar Nominees
Feb 5, 2019
-
Feb 4, 2019
Let The Hamildrops Hit The Floor
Feb 4, 2019
-
Feb 3, 2019
Skittles… The Musical? An Original Cast Album Reaction
Feb 3, 2019
-
Feb 2, 2019
Religion in The Prince of Egypt
Feb 2, 2019
-
Feb 1, 2019
Grief Doesn’t Take A Holiday
Feb 1, 2019
-
January 2019
-
Jan 31, 2019
Home, Love, Family I Will Never Be Complete Until I Find You
Jan 31, 2019
-
Jan 30, 2019
His Name is Literally Crutchie — Pitfalls in Representation
Jan 30, 2019
-
Jan 29, 2019
We Are (Not) What We Perform: Identity and Casting
Jan 29, 2019
-
Jan 28, 2019
The Incredible Power Of The Bengsons
Jan 28, 2019
-
Jan 26, 2019
How I Became A Vulture
Jan 26, 2019
-
Jan 24, 2019
Beautiful The Carole King Musical
Jan 24, 2019
-
Jan 23, 2019
Men On Boats, Women In Production
Jan 23, 2019
-
Jan 22, 2019
The New Plays of Broadway, 2018-2019
Jan 22, 2019
-
Jan 21, 2019
The Book Is Always Better: A Mormon Versus The Musical
Jan 21, 2019
-
Jan 20, 2019
Super Broadway Bros. Ultimate!
Jan 20, 2019
-
Jan 19, 2019
Cameron Mackintosh? It’s Time to Stop
Jan 19, 2019
-
Jan 17, 2019
There's No Podcast Like a Theatrical Podcast
Jan 17, 2019
-
Jan 16, 2019
Make Me the Channel of Your Peace
Jan 16, 2019
-
Jan 15, 2019
Dramaturgy is Everywhere (Even When There's Not a Dramaturg)
Jan 15, 2019
-
Jan 14, 2019
You Go, Girl! Molly's Top Ten Female Performances
Jan 14, 2019
-
Jan 13, 2019
Oh, Boy! Molly's Top Ten Male Performances
Jan 13, 2019
-
Jan 12, 2019
Cari’s (Real) Top Ten List of Musicals
Jan 12, 2019
-
Jan 11, 2019
GIGI A-Z: 26 Theatre Things I Love on My 26th Birthday
Jan 11, 2019
-
Jan 10, 2019
In a World of Gods Among Men --- A Look at Hadestown
Jan 10, 2019
-
Jan 9, 2019
New Year, New Plays: What Should We Expect?
Jan 9, 2019
-
Jan 8, 2019
The Beauty of Bad Theatre
Jan 8, 2019
-
Jan 7, 2019
Jeremy JorDAMN
Jan 7, 2019
-
Jan 6, 2019
Heaven Is... Was a Place Called Head Over Heels.
Jan 6, 2019
-
December 2018
-
Dec 23, 2018
The Board Is On Holiday Break
Dec 23, 2018
-
Dec 22, 2018
Mary Poppins Returns: Practically Passable in Every Way
Dec 22, 2018
-
Dec 21, 2018
So Long, Farewell: A Final Goodbye to the Shows That Closed in 2018
Dec 21, 2018
-
Dec 20, 2018
On Broadway: A Look at the Broadway Musicals Coming in 2019
Dec 20, 2018
-
Dec 19, 2018
Lessons From The Stage Door (as told by a mom creeping in the background)
Dec 19, 2018
-
Dec 18, 2018
Moments of Irrevocable Change: Reflecting on the Semester
Dec 18, 2018
-
Dec 17, 2018
Everyone Deserves One Song: Angelmakers in Concert
Dec 17, 2018
-
Dec 16, 2018
The Five Best Theatrical Productions of 2018
Dec 16, 2018
-
Dec 15, 2018
Justice for Cosette Fauchelevent
Dec 15, 2018
-
Dec 13, 2018
Mary Poppins Returns with a Tip of the Hat to the Original
Dec 13, 2018
-
Dec 11, 2018
Integrating Art Forms, or, How Anaïs Mitchell Changed How I Talk About Acting
Dec 11, 2018
-
Dec 10, 2018
Love, Les Mis, & Fandom: A Personal Story
Dec 10, 2018
-
Dec 9, 2018
Halfway Out of the Dark
Dec 9, 2018
-
Dec 8, 2018
A Dark Side of Stagedooring
Dec 8, 2018
-
Dec 6, 2018
Steph-Annie-Dotes: My Life in the Musical Annie
Dec 6, 2018
-
Dec 5, 2018
Representation as Exclusion
Dec 5, 2018
-
Dec 4, 2018
The Quandary of Edwin Drood
Dec 4, 2018
-
Dec 3, 2018
You Are Here: A Come From Away's Story
Dec 3, 2018
-
Dec 2, 2018
Meet The Strong Female Character
Dec 2, 2018
-
Dec 1, 2018
Are Vampire Musicals Meant to Fail?
Dec 1, 2018
-
November 2018
-
Nov 30, 2018
A Definitive Top Ten List of the Best Disney on Broadway Productions Based Solely on My Opinion
Nov 30, 2018
-
Nov 29, 2018
Broadwaysted Gets More Chill
Nov 29, 2018
-
Nov 28, 2018
Too Many Years Lost in the Story - The Retelling of a Historical Footnote
Nov 28, 2018
-
Nov 27, 2018
This Performance Contains: Trigger Warnings in Theatre
Nov 27, 2018
-
Nov 25, 2018
Tonight Belongs To The Lesbians
Nov 25, 2018
-
Nov 24, 2018
Cari’s Top Six Musicals of All Time
Nov 24, 2018
-
Nov 23, 2018
Just Keep Swimming: A Journey Through the Finding Nemo Cast Recording
Nov 23, 2018
-
Nov 21, 2018
This Is Not Love - Feminist Musings on Lizzie
Nov 21, 2018
-
Nov 20, 2018
Running Into Walls: Trials of New Work Development
Nov 20, 2018
-
Nov 19, 2018
So Much To Be Thankful For
Nov 19, 2018
-
Nov 18, 2018
Bringing Pride to the Prom, On Both Sides Of The Pond
Nov 18, 2018
-
Nov 17, 2018
Don't Say the B Word...Actually, Please Do
Nov 17, 2018
-
Nov 16, 2018
La bohème in Houston: A Brief Review
Nov 16, 2018
-
Nov 15, 2018
Bohemian Rhapsody from the Perspective of a Casual Queen Fan
Nov 15, 2018
-
Nov 14, 2018
More Than Just a Game - The Power of Storytelling in She Kills Monsters
Nov 14, 2018
-
Nov 13, 2018
Learning to Love Cuts and Changes
Nov 13, 2018
-
Nov 12, 2018
Three Strikes for the Gray Lady
Nov 12, 2018
-
Nov 11, 2018
Terms of Armistice - Remembering the War in Theatre
Nov 11, 2018
-
Nov 10, 2018
Theaters
Nov 10, 2018
-
Nov 9, 2018
Why Every Person in America Needs to See American Son
Nov 9, 2018
-
Nov 8, 2018
An American in Paris
Nov 8, 2018
-
Nov 6, 2018
All The More Dangerous: Taking Care in Uncomfortable Theatre
Nov 6, 2018
-
Nov 4, 2018
In Dark Times, A Torch is Lit
Nov 4, 2018
-
Nov 3, 2018
A Very Late Digestion of A Star is Born
Nov 3, 2018
-
Nov 2, 2018
Popular Shows For Teens Past and Present
Nov 2, 2018
-
Nov 1, 2018
The Wizard and I: A Parallel Analysis Between Wicked and My Life So Far
Nov 1, 2018
-
October 2018
-
Oct 31, 2018
I Saw Goody Merica With The Devil - The Crucible in Context
Oct 31, 2018
-
Oct 30, 2018
Brothers, Bands, and Bombs: Theatrical Perspectives on World War II
Oct 30, 2018
-
Oct 29, 2018
There Can Be Miracles: Prince of Egypt at Tuacahn
Oct 29, 2018
-
Oct 28, 2018
Play On, Play On
Oct 28, 2018
-
Oct 27, 2018
The Flying Dutchman: Cari’s First Opera
Oct 27, 2018
-
Oct 26, 2018
Theater in Philadelphia
Oct 26, 2018
-
Oct 24, 2018
Jangling the Keys to the Kingdom - Set Design for The Crucible
Oct 24, 2018
-
Oct 23, 2018
Everyone Needs New Play Exchange
Oct 23, 2018
-
Oct 22, 2018
High School Musicals
Oct 22, 2018
-
Oct 21, 2018
To Thine Own Self: My Unlikely Friendship with John Cariani
Oct 21, 2018
-
Oct 20, 2018
Why Hugh Jackman is Important
Oct 20, 2018
-
Oct 19, 2018
We Are The Come From Aways
Oct 19, 2018
-
Oct 18, 2018
(P) REVIEW: The Lifespan of a Fact
Oct 18, 2018
-
Oct 17, 2018
She'll Suck A Scream to Stab Me - The Sexism of Abigail Williams
Oct 17, 2018
-
Oct 15, 2018
Broadway Bias, or the Theatre We're Not Talking About
Oct 15, 2018
-
Oct 13, 2018
It’s Time to Check Your Snobbery
Oct 13, 2018
-
Oct 12, 2018
I'm Here: My Experience Seeing The Color Purple for the First Time
Oct 12, 2018
-
Oct 11, 2018
Top Five Favorite Musicals
Oct 11, 2018
-
Oct 10, 2018
We Are What We Always Were In Salem - Talking About The Crucible
Oct 10, 2018
-
Oct 9, 2018
Wunderstudies
Oct 9, 2018
-
Oct 7, 2018
The Big Musical Heart Of Smallfoot
Oct 7, 2018
-
Oct 6, 2018
Les Misérables US Tour: A Review
Oct 6, 2018
-
Oct 5, 2018
My SQUIP Says I Can Go All The Way to Broadway
Oct 5, 2018
-
Oct 4, 2018
My Day At The Broadway Flea And Seeing Anastasia
Oct 4, 2018
-
Oct 3, 2018
A Call To Simplicity
Oct 3, 2018
-
Oct 2, 2018
Silver Screen Stars on the Great White Way
Oct 2, 2018
-
Oct 1, 2018
The Morality Of Musicals
Oct 1, 2018
-
September 2018
-
Sep 30, 2018
Mad About You, Babe
Sep 30, 2018
-
Sep 28, 2018
Bi Folks Need a "Fun Home"
Sep 28, 2018
-
Sep 27, 2018
I'll Have Something To Write About By and By
Sep 27, 2018
-
Sep 27, 2018
Elpha-bi: Why Wicked’s Green Skinned Heroine is a Queer Icon
Sep 27, 2018
-
Sep 26, 2018
THE TANGO MAUREEN
Sep 26, 2018
-
Sep 25, 2018
The Bisexual Buzzword
Sep 25, 2018
-
Sep 24, 2018
Queer Corner 2: Natalie Walker
Sep 24, 2018
-
Sep 23, 2018
I'm Just a (Bisexual) Broadway Baby
Sep 23, 2018
-
Sep 22, 2018
Why Do We Encourage Divas?
Sep 22, 2018
-
Sep 21, 2018
Suck My Balls, I'm Out: A Look at Groundhog Day a Year Later
Sep 21, 2018
-
Sep 20, 2018
The Other Great White Way
Sep 20, 2018
-
Sep 19, 2018
Does the humanity of Assassins go too far?
Sep 19, 2018
-
Sep 18, 2018
Standing in the Silence with The Band's Visit
Sep 18, 2018
-
Sep 17, 2018
Let The Sun Shine On
Sep 17, 2018
-
Sep 16, 2018
There's A Betty In All Of Us
Sep 16, 2018
-
Sep 15, 2018
Christianity in Theatre, or Why Jesus Christ Superstar Caused Such a Fuss
Sep 15, 2018
-
Sep 14, 2018
Shines The Great Comet of 1812
Sep 14, 2018
-
Sep 13, 2018
FIYEROOOOO or FIYER-NO?
Sep 13, 2018
-
Sep 12, 2018
Jefferson and the Ladies
Sep 12, 2018
-
Sep 11, 2018
The Writing on the Wall: The Use of Brownface in Theatre
Sep 11, 2018
-
Sep 10, 2018
How We Portray Domestic Abuse: Or, How Does Jessie Mueller Sleep At Night?
Sep 10, 2018
-
Sep 9, 2018
Summer (doesn’t) Stink and Winter’s Freezing: My Summer as a Newsie
Sep 9, 2018
-
Sep 8, 2018
What Makes A Blockbuster
Sep 8, 2018
-
Sep 7, 2018
Lousy With Stature: A Celebration of Alan Menken's Legacy
Sep 7, 2018
-
Sep 6, 2018
Wild and Free (Album Review)
Sep 6, 2018
-
Sep 5, 2018
Queer Corner 1: Jessie Shelton
Sep 5, 2018
-
Sep 4, 2018
We're Gonna Sing It Again and Again: Hadestown's Timeless Stories
Sep 4, 2018
-
Sep 3, 2018
Where Better To Escape Trouble Than The Theatre?
Sep 3, 2018
-
Sep 2, 2018
No Better Time To Be A Loser
Sep 2, 2018
-
Sep 1, 2018
Broadway Elitism: Just When Are Our Standards Too High?
Sep 1, 2018
-
August 2018
-
Aug 31, 2018
A Grammatical Analysis of “I’m Not a Loser”
Aug 31, 2018
-
Aug 30, 2018
Finding Neverland In J.M. Barrie
Aug 30, 2018
-
Aug 29, 2018
The Politics of Anastasia
Aug 29, 2018
-
Aug 28, 2018
An Open Letter to Freshman Theatre Majors
Aug 28, 2018
-
Aug 27, 2018
What Do Any Of Us Know About Love?
Aug 27, 2018
-
Aug 26, 2018
At This Performance…
Aug 26, 2018
-
Aug 25, 2018
A Next to Normal Tragedy
Aug 25, 2018
-
Aug 24, 2018
The Faith of Les Misérables
Aug 24, 2018
-
Aug 23, 2018
No article is provided for this date.
Aug 23, 2018
-
Aug 22, 2018
Brush Up On Your Shakespeare
Aug 22, 2018
-
Aug 21, 2018
Translating Antigone
Aug 21, 2018
-
Aug 20, 2018
Suspension Of Disbelief In Theatre
Aug 20, 2018
-
Aug 19, 2018
Hayley’s Big Broadway Birthday Wishlist
Aug 19, 2018
-
Aug 18, 2018
No article is provided for this date.
Aug 18, 2018
-
Aug 17, 2018
A Love Letter To Rodger and Hammerstein's Carousel
Aug 17, 2018
-
Aug 16, 2018
It Should've Run Longer - Part Two
Aug 16, 2018
-
Aug 15, 2018
Dear Evan Hansen, Be More Chill, and Mean Girls- Women in Modern Theatre
Aug 15, 2018
-
Aug 14, 2018
Give Opera A Chance
Aug 14, 2018
-
Aug 13, 2018
Ten Women Who Should Solo Host The Tonys
Aug 13, 2018
-
Aug 12, 2018
Dear Mr. Timbers: My Thoughts on Moulin Rouge!
Aug 12, 2018
-
Aug 11, 2018
Les Misérables: Finding Validation in a Non-Romantic Love Story
Aug 11, 2018
-
Aug 10, 2018
"Sixteen Going On Seventeen" - Old Enough To Make Choices About Sex?
Aug 10, 2018
-
Aug 9, 2018
It Should've Run Longer
Aug 9, 2018
-
Aug 8, 2018
Goodnight, Cecile.
Aug 8, 2018
-
Aug 7, 2018
Agency and Knowledge in a Modern Spring Awakening
Aug 7, 2018
-
Aug 6, 2018
Consent in the World of Spring Awakening
Aug 6, 2018
-
Aug 5, 2018
Lempicka: A 20th Century Woman for the 21st Century
Aug 5, 2018
-
Aug 4, 2018
FREAKY FRIDAY: A Track-by-Track Studio Cast Album Analysis
Aug 4, 2018
-
Aug 3, 2018
Are Film-to-Stage Adaptations Lazy?
Aug 3, 2018
-
Aug 2, 2018
Gettin’ the Band Back Together
Aug 2, 2018
-
Aug 2, 2018
For The First Time, I'm Feeling Wicked
Aug 2, 2018
-
Aug 1, 2018
The Thoroughly Modern Millie Principle
Aug 1, 2018
-
July 2018
-
Jul 31, 2018
What is a Dramaturg, Anyway?
Jul 31, 2018
-
Jul 30, 2018
She Didn't Say Much, But She Said It Loud
Jul 30, 2018
-
Jul 29, 2018
A Trio Of Try-Outs
Jul 29, 2018
-
Jul 29, 2018
The NYT Smokey Joe's Cafe Review
Jul 29, 2018
-
Jul 27, 2018
Theatre Casts Are Family Too
Jul 27, 2018
-
Jul 26, 2018
Love Never Dies Review: The US Tour
Jul 26, 2018
-
Jul 25, 2018
What Makes A Happy Ending?
Jul 25, 2018
-
Jul 24, 2018
There's Something More to Say: Carousel's Missing Narrative
Jul 24, 2018
-
Jul 23, 2018
Boys Will Be Boys, and Girls Will... Also Be Boys?
Jul 23, 2018
-
Jul 22, 2018
Crutchie, Christopher, Ever, and Me
Jul 22, 2018
-
Jul 21, 2018
It's Time To Talk About Dan Goodman
Jul 21, 2018
-
Jul 20, 2018
Everything Old Is New Again
Jul 20, 2018
-
Jul 19, 2018
In A World Like This: A Bronx Tale And Race
Jul 19, 2018
-
Jul 18, 2018
The Brilliant Comet of 1812
Jul 18, 2018
-
Jul 17, 2018
How To Be A (Better) Theatre Snob
Jul 17, 2018
-
Jul 15, 2018
Spongebob: A Testimonial
Jul 15, 2018
-
Jul 14, 2018
The Shameless Goofiness of Cats
Jul 14, 2018
-
Jul 13, 2018
“Getting to Know” The Balanced Portrayal of Race in The King and I
Jul 13, 2018
-
Jul 12, 2018
15 Things I've Learned From Avenue Q
Jul 12, 2018
-
Jul 11, 2018
We Need To Talk About The Unmentionable
Jul 11, 2018
-
Jul 10, 2018
Telling Stories About Women: A Trip to a Women's Theatre Festival
Jul 10, 2018
-
Jul 9, 2018
Why Not Choose Kindness?
Jul 9, 2018
-
Jul 8, 2018
On Tony, His Tony, The Tonys, and Stans.
Jul 8, 2018
-
Jul 7, 2018
Eliza and Henry: A Finale
Jul 7, 2018
-
Jul 6, 2018
In Here, It's Always Pride Month
Jul 6, 2018
-
Jul 5, 2018
West Side Stories - Jets vs Sharks or Nature vs Social Constructs?
Jul 5, 2018
-
Jul 4, 2018
Annie Got Her Gun... But Why?
Jul 4, 2018
-
Jul 3, 2018
Who Really ARE The Mean Girls?
Jul 3, 2018
-
Jul 2, 2018
The Futility of "Now More Than Ever"
Jul 2, 2018
-
Jul 1, 2018
The Kids Are Alright
Jul 1, 2018