Representation isn’t as easy as adding a mobility aid to your cast.

If representation is inaccessible to the people being represented, does it count?

Six women brought together by one man in common — the infamous Henry VIII. What do they have to say about him?

Just because Lizzie Borden can swing an axe and belt like a queen doesn’t make her story an inspirational one. But that doesn’t stop her show from being a great one.

Putting it bluntly, I love Dungeons & Dragons. But even for those who have never picked up dice with more than six sides, She Kills Monsters is a powerful piece of theatre.

One hundred years ago today, a ceasefire was put into place. In the following century, our society’s perception of The Great War has changed; the way the war is portrayed on stage speaks to how and what we remember.

A quick overview of each Broadway production of The Crucible thus far.

This week we take a look at Jan Versweyveld’s design and how it speaks to the play’s legacy.

Is her past with John Proctor at all necessary to the overarching meaning of the show?

It’s the proper morning to fly into Hell -- that is, to attempt saying something original about The Crucible.

I realize now that my struggle to write something for bisexuality visibility week was a symptom of a much larger frustrations.

Theatre gives us the chance to explore the humanity behind our history. What does that mean for us when it is used to tell the story of famous murderers?

Portraying real people on stage is a hefty task, especially for figures that have become almost mythic within our culture -- for example, Thomas Jefferson. How do different stage interpretations affect our view of the third president?